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+<meta name="description" content="Fire a one-shot with its own gain, pitch and stereo position.">
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+  <div class="crumbs"><a href="api.html">API Reference</a> <span>›</span> <a href="ns-audio.html">Audio</a> <span>›</span> <span class="here">Audio.play_at</span></div>
+  <div class="item-head">
+    <span class="kind-badge kind-method">method</span>
+    <h1 id="top">Audio.play_at</h1>
+  </div>
+  <code class="sig">Audio.play_at(id, gain, pitch, pan) -&gt; void</code>
+  <div class="desc"><p>Plays the sound <code>id</code> from the start as a one-shot, with its **own** gain, pitch
+and stereo position, leaving the master settings alone.</p><p><code>Audio.volume</code> and <code>Audio.pitch</code> are global: they exist so a player
+can turn the game down, and a game that used them to place a sound in the world would be
+fighting its own options screen. This is the per-voice version, and it is what distance
+attenuation is made of — work out how far away a sound is and which side it is on, and say
+so here.</p><p>- <code>gain</code> — 0.0 to 1.0, multiplied by the master volume, so the options screen
+  still wins.
+- <code>pitch</code> — 1.0 is as recorded; 0.5 an octave down, 2.0 an octave up. Clamped
+  to the backend's 0.25 .. 4.0.
+- <code>pan</code> — -1.0 hard left, 0.0 centred, 1.0 hard right.</p><p>One honest limitation, and it is the backend's: a loaded sound is one player, so firing
+the same handle again restarts it rather than layering a second copy over the first. Load
+a handle per variant when several need to overlap — which is what a game does anyway, to
+stop a repeated sound machine-gunning.</p></div>
+  
+  <div class="examples"><h2>Example</h2><pre data-lang="ludic">program Demo {
+  entry {
+    let call = Audio.load("elk.wav")
+    # an elk eighty metres off, over your left shoulder
+    Audio.play_at(id: call, gain: 0.3, pitch: 0.96, pan: -0.55)
+  }
+}</pre></div>
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