actor_draw_casters drew every visible actor within 300 m into all five cascades. The draw-call
count (R3D_DRAWSTATS) found about 1500 skinned shadow draws a frame in town against 69 in the lit
pass. The cascade is an orthographic box, so a bounding sphere (1.5x the actor's radius) outside
its clip x/y casts nothing into that layer and is skipped. OpenGL frames at the five viewpoints
are unchanged; the game's 59 self-tests pass.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The last of milestone 1: no OpenGL call is left in render3d outside gpu.ludic but the clock
and the CPU-side buffer helpers.
- gpu_program builds a program and remembers the variant it came from (vertex, fragment and
defines as one line - the SPIR-V manifest's key), so a backend that cannot compile at run
time finds the pipeline for the same handle. gpu_use_program and gpu_program_free replace
32 uses and 2 frees; the overlay's program is recorded under overlay.vert|overlay.frag.
- gpu_query_new / _begin / _end / _result carry R3D_PROF's timers.
- gpu_open, gpu_vsync, gpu_renderer_name and gpu_resize_check carry the context.
- r3d_program_tess is gone: nothing called it and no tessellation shader exists.
- R3D_GLCHECK also checks after framebuffer and renderbuffer changes, viewport, draw buffers,
program use, texture parameters, the resize check and between frames.
OpenGL frames are byte-identical at the five viewpoints; 59 self-tests pass with and without
R3D_GLCHECK, with no GL error; ludic-dev test 140 passed.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Texture creation, 2D and array uploads, pixel packing, filters, wraps, comparison, border,
anisotropy, mipmaps, texture units, read-backs and freeing now go through gpu_tex_* and
gpu_bind_sampler, and no other file names them. Each call is the one GL call it replaces,
in the same order, so OpenGL renders bit-identically at the fixed viewpoints and the game's
self-tests report what they did before.
What those calls say about a texture - size, format, layers, min and mag filter, wraps,
comparison, mipmaps, anisotropy - is recorded per handle as it is set: a backend with
immutable images and separate sampler objects creates both from exactly that.
r3d_bind_tex takes a texture kind (GPU_TEX2D / GPU_TEX2D_ARRAY) instead of a GL target.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Render state (depth, blending, culling, colour writes, alpha-to-coverage, depth bias,
scissor) and uniforms go through gpu_* / u_* and nowhere else; OpenGL state is cached and
only changes reach the driver. Frames are bit-identical to before at the fixed viewpoints.
R3D_GFX=gl|vk or gpu_request chooses a backend, falling back to OpenGL with a reason.
gpu_caps_probe() asks Vulkan, on Windows, for the 1.3 floor, ray tracing, mesh shaders, the
NVIDIA RTX generation, Reflex and HDR colour spaces, for a game's settings to grey out what
a machine cannot use; R3D_CAPS pretends to be a given card for tests.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The queue was only emptied by the next outline_model call, so the last highlighted tree kept
its rim after the player looked away. r3d_frame now calls outline_frame, which drops a batch
the previous frame closed and nobody reopened.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
terrain_reload/terrain_unload release one map's height field, survey, photograph
and patch bounds and generate another at any TERRAIN_HALF; scatter_clear_all
(with streams), actor_clear_all, col_reset and mesh_free empty the scene;
water_body_add/water_bodies_clear draw several still-water planes with one
reflecting; terrain_sea separates the coast's sea level from the carved lake's,
and grass keeps off both. Fixes CDLOD patch bounds for TERRAIN_HALF != 4096 and
water_init leaking a mesh and program per call. examples/rendering/reload.ludic.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
A frame is drawn by more than one pass - a shadow map, a water reflection, the
scene - and actor_draw runs in each. An Actor's rim survives that because it is
a field on the actor; the queue did not, because the first pass to run emptied
it. A queued outline was drawn into whichever target came first and was gone by
the time the scene was drawn, so nothing appeared with every uniform, matrix
and mesh correct - which took a while to find.
A flush now closes the batch rather than clearing it, and the next
outline_model opens a new one.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Three things a game could not say, each of which had been worked around.
Audio.play_at(id, gain:, pitch:, pan:) fires a one-shot with its own gain,
pitch and stereo position. Audio.volume and Audio.pitch are global - they are
the options screen - so a game placing a sound in the world was fighting them,
and distance attenuation was simply not expressible. The backend already took
volume and rate per call; this adds setPan: alongside them and stops routing
through the master state.
ludic.render3d gains outline_model(model, mat, width, r, g, b): a rim around
something that is not an Actor. The outline pass walked the actor list and
stopped, so instanced scatter - a forest - could not be highlighted at all. It
is a queue flushed by the same pass, which is what gets the depth test right
when the caller does not control pass order.
And terrain_coast(cx, cz, margin, fall), the other way to make an island:
the sea around the survey's own edge rather than cut out of the middle of it.
terrain_island measures a radius from a centre, which drowns two thirds of a
real survey to make an island of the rest; this measures inward from the
boundary, so everything the data covers stays land and the coast is where the
data runs out. Both modes gained a strand - the last few metres of height
either side of the water line compressed, which stretches a cliff plunge out
into beach and shallows.
132 regression tests and the self-host fixpoints pass.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
An actor gains `outline` (metres of rim) and `ocol` (its colour). The pass draws
the model a second time with its vertices pushed out along their normals and its
front faces culled, so only the far side of the swollen shell survives - a
silhouette exactly `outline` metres wide. It is depth-tested against the scene,
so anything standing in front of the actor hides the rim too.
skin.vert grows an OUTLINE path for the push; outline.frag is the flat-colour
fragment shader it pairs with.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
`Gl.*` binds the whole OpenGL 4.1 core API — every entry point of the
platform gl3.h with every GL_* constant, generated by `ludic-dev glgen`
with per-call ABI thunks. Windowed builds get an NSOpenGLContext on the
existing window at Retina resolution; headless builds render into an
offscreen CGL context, so a program that uses Gl.* renders and
screenshots identically under the test harness. It links gl.ll, the
thunks and OpenGL.framework only when used; every other build stays
byte-identical.
packages/ludic.render3d is a physically based renderer written on that
surface: HDRI image-based lighting, GPU-generated terrain with scanned
PBR materials, CDLOD, cascaded shadows, glTF with skinning, instanced
vegetation with impostors, procedural grass, water, SSAO, and an HDR
pipeline with bloom, auto-exposure and ACES.
It also carries this session's work on it: the terrain at half its cost
(10.3 -> 5.4 ms of frame), the streaming hitch that got worse the longer
you played, a resize that emptied the world, and the packaging that lets
a game use the renderer from its own repository — `ludic assets`, the
material manifest shipping with the package, and shader lookup falling
back to the install root. See changes/ for each, with its numbers.
The camping game that drove all of it has moved out to its own
repository, Maroon Lake; examples/rendering/smooth.ludic stays as the
renderer's example here.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
